Free Eduqas GCSE Drama (C690) Exam Questions and Answers
Eduqas GCSE Drama (C690) is Eduqas's GCSE Drama qualification, specification C690, taken in England. The questions here come from Eduqas's published question papers from June 2018 to June 2025, plus its specimen papers, with answers and marking guidance taken from Eduqas's own mark schemes. Written-answer questions let you work out your answer and then reveal what the mark scheme accepts; diagrams, graphs and source material appear with the questions that use them.
Looking for Eduqas GCSE Drama (C690) exam dumps or ExamTopics questions? These practice questions cover the same ground with verified answers and explanations, a downloadable PDF and a full practice test, kept current as Eduqas updates the exam.
Last updated: October 12, 2026
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Question #1
The Tempest William Shakespeare. Questions 1.1, 1.2 and 1.3 are based on the following extract. Read from: page 46 Prospero: [to Miranda:] ‘The fringèd curtains of thine eye advance ...’ to the bottom of: page 48 Prospero: ‘And they to him are angels.’ Name these two ground plans.

Type your answer, then reveal.
Correct answer: Proscenium arch; theatre in the round.
Explanation
One mark for each correctly named ground plan, up to 2.
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Question #2
As an actor, you have been asked to perform the role of Caliban in a production of The Tempest. Choose any two contrasting extracts and explain how you would communicate the character to the audience. Do not refer to the extract used for questions 1.1 – 1.3. In your answer refer to: • character motivation • voice • movement • interaction.
Type your answer, then reveal.
Correct answer: Two contrasting extracts showing Caliban as Prospero's enslaved, savage, monster-like native (desiring sovereignty of the island, plotting with Stephano and Trinculo, drunk and worshipping Stephano) and as gentle and sensitive (beautiful speeches about his home). Explain motivation, voice, movement and interaction with reference to the chosen extracts.
Explanation
AO3, 15 marks, banded. Band 5 (13-15): perceptive explanation of character motivation and subtleties of interaction in both contrasting extracts; detailed and discerning knowledge of how vocal and movement skills communicate the character; highly appropriate references to the extracts; highly relevant use of drama terminology. Band 4 (10-12): well-informed explanation, detailed knowledge, appropriate references, relevant terminology. Band 3 (7-9): satisfactory explanation of motivation and interaction in both extracts, satisfactory knowledge of vocal and movement skills, generally appropriate references and terminology. Band 2 (4-6): some explanation in one or two extracts, some knowledge, some references, some terminology. Band 1 (1-3): limited explanation, knowledge, references and terminology. 0 marks: not creditworthy or not attempted. Do not refer to the extract used for 1.1-1.3. Indicative content: Prospero's slave and called a monster; son of a witch-hag and native of the island; desires sovereignty; conspires with Stephano and Trinculo to murder Prospero; has desires on Miranda; gets drunk and worships Stephano and the alcohol; grotesque and savage; gentle and sensitive side only the audience sees; beautiful speeches about his home; animalistic, native, enslaved, monster, fool. Vocal, physical and interaction points should relate to these attributes and the extracts chosen.
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Question #3
The Caucasian Chalk Circle Bertolt Brecht. Questions 2.1, 2.2 and 2.3 are based on the following extract. Read from the top of: page 40: A wind has risen. to the end of the scene: page 43: ‘From the son of the snake.’ Name these two ground plans.

Type your answer, then reveal.
Correct answer: Proscenium arch; theatre in the round.
Explanation
1 mark for each correctly named ground plan, up to 2 marks.
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Question #4
As an actor, you have been asked to perform the role of Azdak in a production of The Caucasian Chalk Circle. Choose any two contrasting extracts and explain how you would communicate the character to the audience. Do not refer to the extract used for questions 2.1 – 2.3. In your answer refer to: • character motivation • voice • movement • interaction.
Type your answer, then reveal.
Correct answer: Two contrasting extracts showing Azdak: knowledgeable, intelligent, authoritative, considerate, discerning, humorous, undisciplined (e.g. sitting in the judge's chair peeling an apple). Explain motivation, voice, movement and interaction in each.
Explanation
15 marks, judged on knowledge of how drama is developed and performed. Band 5 (13-15): perceptive explanation of character motivation and subtleties of interaction in both contrasting extracts; detailed, discerning understanding of vocal and movement skills; highly appropriate references to the extracts; highly relevant terminology. Band 4 (10-12): well-informed explanation; detailed knowledge; appropriate references; relevant terminology. Band 3 (7-9): satisfactory explanation of motivation and interaction in both extracts; satisfactory knowledge of vocal and movement skills; generally appropriate references. Band 2 (4-6): some explanation in one or two extracts; some knowledge; some references. Band 1 (1-3): limited explanation, knowledge and references. 0: not creditworthy. Content depends on the extracts chosen. Indicative character points: knowledgeable about Persian political affairs; intelligent (the iron shirts select him as judge); authoritative (orders the old beggar to stop snorting and stand still, then makes him eat cheese like a poor man once he is found to be a fraud; hands out sentences; tells Shauwa to go home and repent); skilful in court (reprimands Grusha for 'lies' yet rules in her favour); the Chalk Circle idea shows who cares more for Michael; considerate (listens before deciding); discerning; humorous; undisciplined. All vocal, physical and interaction points must relate to these attributes and the chosen extracts.
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Question #5
Hard to Swallow Mark Wheeller Questions 3.1, 3.2 and 3.3 are based on the following extract. Read from the top of: page 28 Maureen: ‘Stay there a moment you two.’ to the end of the scene: page 30 Catherine: ‘I feel like a rag doll which has lost its stuffing.’ Name two rehearsal techniques that you could use to explore this relationship.
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Correct answer: Any two suitable techniques, e.g. status games, hot seating, swapping roles, thought tracking.
Explanation
One mark for each appropriate technique named, up to 2 marks. The techniques must focus on the relationship described in (i). Valid alternatives accepted.
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Question #6
Hard to Swallow Mark Wheeller Questions 3.1, 3.2 and 3.3 are based on the following extract. Read from the top of: page 28 Maureen: ‘Stay there a moment you two.’ to the end of the scene: page 30 Catherine: ‘I feel like a rag doll which has lost its stuffing.’ As a director, explain how one of these techniques would help prepare the actor(s) for their role(s).
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Correct answer: Explain how one technique helps the actors, e.g. hot seating helps actors understand how their characters feel towards each other; status techniques show who holds the power; thought tracking helps actors understand their inner attitude to each other.
Explanation
Up to 2 marks for a full explanation linked to the chosen technique. It must show understanding of the given circumstances and relationships in the extract. Valid alternatives accepted.
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Question #7
Hard to Swallow Mark Wheeller Questions 3.1, 3.2 and 3.3 are based on the following extract. Read from the top of: page 28 Maureen: ‘Stay there a moment you two.’ to the end of the scene: page 30 Catherine: ‘I feel like a rag doll which has lost its stuffing.’ Describe the atmosphere of this extract.
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Correct answer: Tense, as Maureen is desperate to get Catherine to eat. Conflict between mother and daughter as Catherine refuses. It reaches a climax when Catherine tips the plate of food. It ends in contrast, as the reality of Catherine's desperate state is revealed.
Explanation
One mark per relevant observation about the atmosphere, up to 3 marks. Valid alternatives accepted.
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Question #8
Hard to Swallow Mark Wheeller Questions 3.1, 3.2 and 3.3 are based on the following extract. Read from the top of: page 28 Maureen: ‘Stay there a moment you two.’ to the end of the scene: page 30 Catherine: ‘I feel like a rag doll which has lost its stuffing.’ Explain how any one line in the extract illustrates the atmosphere.
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Correct answer: Choose a suitable line and explain it. E.g. 'Catherine...come down now...please. I want you to sit at our table and eat with us.' shows Maureen's determination and forms the basis of the tension. Or '…I'll hate you.' creates aggression. Or 'If she goes on like this she will end up killing herself' emphasises the tragic mood.
Explanation
One mark for choosing an appropriate line, and 2 marks for a relevant explanation of how it illustrates the atmosphere. Valid alternatives accepted.
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Question #9
Hard to Swallow Mark Wheeller Questions 3.1, 3.2 and 3.3 are based on the following extract. Read from the top of: page 28 Maureen: ‘Stay there a moment you two.’ to the end of the scene: page 30 Catherine: ‘I feel like a rag doll which has lost its stuffing.’ As a designer, suggest three ways you could use lighting and/or sound to communicate the atmosphere in this extract. Give reasons for your suggestions.
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Correct answer: Three lighting/sound ideas, each with a reason. E.g. cold gels and shadows for tension; projections to suggest the setting; a fade up from blackout; a backlight or colour change to heighten tension; strobe as a special effect; sound effects at the table in the non-naturalistic style; the music box to emphasise the tragic ending.
Explanation
One mark per idea (max 3) and one mark per explanation (max 3). Context: an internal dining room setting. The mood is tense and aggressive at first, ending in sadness and desperation. The conflict between Maureen and Catherine creates tension, and non-naturalistic elements add to it. Valid alternatives accepted.
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Question #10
Hard to Swallow Mark Wheeller Questions 3.1, 3.2 and 3.3 are based on the following extract. Read from the top of: page 28 Maureen: ‘Stay there a moment you two.’ to the end of the scene: page 30 Catherine: ‘I feel like a rag doll which has lost its stuffing.’ Name these two ground plans.

Type your answer, then reveal.
Correct answer: (i) Proscenium arch; (ii) Theatre in the round.
Explanation
One mark for each correctly named stage, up to 2 marks.
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