Free AD0-C102: Adobe Certified Instructor for Creative Cloud Video Editing Solutions Exam Questions and Answers

A sequence has dialogue on V1 and A1, and a title graphic and a music bed on V2 and A2. An editor sets an In point and an Out point around a 4-second section of the interview. The editor wants to remove that section from V1 and A1 and close the gap on those tracks, while the clips on V2 and A2 stay at their current positions. What should the editor do?

• AA. Target V1 and A1, turn off Sync Lock for V2 and A2, and use Lift
• BB. Target V1 and A1, turn off Sync Lock for V2 and A2, and use Extract
• CC. Target V2 and A2, turn off Sync Lock for V1 and A1, and use Extract
• DD. Target V1 and A1, leave Sync Lock on for V2 and A2, and use Extract

An editor is creating a multi-camera source sequence from three clips of a stage interview. The timecode of the cameras does not match, and the camera audio is too noisy to use for syncing. The editor has added a clip marker to each clip at the frame where the slate closes, and no In or Out points are set. Which Synchronize Point option should the editor select in the Create Multi-Camera Source Sequence dialog box?

• AA. Clip Marker
• BB. Timecode
• CC. Audio
• DD. Out Point

With default settings, where does Premiere Pro save automatic backups of a project?

• AA. In the Media Cache Database folder inside the Adobe Common folder
• BB. In the Adobe Premiere Pro profile folder inside the user's Documents folder
• CC. In a Backup folder in the same location as the first clip imported into the project
• DD. In an Adobe Premiere Pro Auto-Save folder in the same folder as the project file

An editor enters Scene, Shot and Log Note values in the Premiere Pro Project metadata fields in the Metadata panel. Later, the editor imports the same clips into a new project on a different workstation and finds that the values are missing. What is the cause?

• AA. Premiere Pro Project metadata is saved in the project file and is not written to the media files
• BB. The Write XMP ID to files on import preference was turned off in the original project
• CC. The clips are in a format that does not support XMP, so no metadata can be saved for them anywhere
• DD. Metadata entered in the Metadata panel is saved only in the media cache database on the original workstation

Which two types of files does Premiere Pro store in the media cache location? (Choose two.)

Select 2 answers.

• AA. Conformed audio files (.cfa)
• BB. Project auto-save files (.prproj)
• CC. Motion Graphics Template files (.mogrt)
• DD. Peak files (.pek)

An editor has 12 consecutive clips on V1 and wants to apply a single Lumetri Color adjustment to all of them as one unit, without changing the individual clips. What should the editor do?

• AA. Select the clips, right-click and choose Nest, and apply the effect to the nested sequence clip
• BB. Select the clips, choose Clip > Merge Clips, and apply the effect to the merged clip
• CC. Select the clips, choose Clip > Group, and apply the effect to the group
• DD. Select the clips, choose Clip > Link, and apply the effect to the linked selection

A 3840 x 2160 clip is edited into a 1920 x 1080 sequence, and only the center of the frame is visible. The editor wants the full frame to fit and wants to keep the clip's full resolution available for later reframing. What should the editor do?

• AA. Right-click the clip and choose Set to Frame Size
• BB. Change the sequence frame size to 3840 x 2160 in Sequence Settings
• CC. Choose Clip > Modify > Interpret Footage and set the Pixel Aspect Ratio to Square Pixels
• DD. Right-click the clip and choose Scale to Frame Size

An editor needs to build an After Effects composition that stays linked to the Premiere Pro project, so changes are reflected without rendering an intermediate file. Which two actions can the editor use? (Choose two.)

Select 2 answers.

• AA. Select the clip in the Timeline panel and choose Clip > Link Media.
• BB. Choose File > Adobe Dynamic Link > New After Effects Composition.
• CC. Right-click a clip in the Timeline panel and choose Replace With After Effects Composition.
• DD. Choose File > Export > Media and select After Effects Project as the format.

An editor has footage of a stage play from three cameras and a separate audio recorder. The device timecodes were not jam-synced and no clapper was used, but every device captured the room sound. After selecting the clips in a bin and choosing Create Multi-Camera Source Sequence, which synchronization method should the editor use?

• AA. Audio
• BB. Clip Marker
• CC. In Points
• DD. Timecode

A 4-second interview clip sits between two other clips on V1, and its source file has plenty of footage before and after the portion used. An editor wants to show a different 4 seconds of the source without changing the clip's position or duration and without moving the neighboring clips. Which tool should the editor use?

• AA. Rolling Edit tool
• BB. Slide tool
• CC. Ripple Edit tool
• DD. Slip tool